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OS: Documentary A

Rating:R
Run Time:102 minutes
Shorts HD and Magnolia Pictures present the Oscar-Nominated Short Films. With all three categories offered – Animated, Live Action and Documentary – this is your annual chance to predict the winners (and have the edge in your Oscar pool)! A perennial hit with audiences around the country (and now the world), don’t miss this year’s selection of shorts.

The Oscar Shorts will be divided into four separate program: Live Action, Animation, Documentary A, and DOCUMENTARY B. Separate admission is charged for each program. A festival pass, good for admission to all four programs, will be available at the Ross Box Office ($15 General Admission / $12.50 Seniors, Military / $10 Students, Members, Children).
OCUMENTARY A

(102 minutes) / Suggested rating: R
Saturday, February 10 - 9:45 p.m.
Monday, February 12 - 7:15 p.m.
Wednesday, February 14 - 9:45 p.m.
Friday, February 16 - 9:35 p.m.
Saturday, February 17 - 7:15 p.m.
Sunday, February 18 - 4:55 p.m.
Monday, February 19 - 7:15 p.m.
Wednesday, February 21 - 7:15 p.m.

TRAFFIC STOP
(dir. Kate Davis, USA/31MINS/2018)
Featuring footage caught on a dashcam, TRAFFIC STOP tells the story of Breaion King, a 26-year-old African-American school teacher from Austin, Texas whose routine traffic violation quickly escalated into a dramatic arrest at the hands of a white police officer

EDITH+EDDIE
(dir. Laura Checkoway, USA/29MINS/2017)
Edith and Eddie, ages 96 and 95, are America's oldest interracial newlyweds. Their love story is disrupted by a family feud that threatens to tear the couple apart.

HEAVEN IS A TRAFFIC JAM ON THE 405
(dir. Frank Stiefel, USA/40MINS/2017)
This is a portrait of a brilliant 56 year old artist who is represented by one of Los Angeles’ top galleries. Her body of raw, emotional work reveals a lifetime of depression and mental disorder. Mindy Alper has suffered through electro shock therapy, multiple commitments to mental institutions and a 10 year period without speech. Her only consistent means of communicating has been to channel her hyper self-awareness into drawings and sculpture of powerful psychological clarity that eloquently express her emotional state. Through an examination of her work, interviews, reenactments, the building of an eight and a half foot papier-mache’ bust of her beloved psychiatrist, we learn how she has emerged from a life of darkness and isolation to a life that includes love, trust and support.

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